The apotheosis—some would say the nadir—of country music suffering was reached in the Western Electric Sound System room put together by Soundlux Audio. There, Vu Hoang (above) took the perilous step beyond Steely Dan’s “Black Cow” (as in black sheep?) to Tennessee Ernie Ford’s “Please Release Me” and The Carpenter’s “This Masquerade.” The superb sound […]

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